On a foggy night, a pair of searchlight signals protect the entrance to the east end of CP OV. At this location, the single main track and the controlled siding merge and pass below the town of Otisville, NY in one of the longest tunnels east of the Mississippi River.
The slight fog in the air really helps. Any fog, smoke, or other particulate matter will give you this effect. The length of the exposure also helps. Sometimes lengthy exposures are needed to get even the slightest beam depending on the conditions.
You're welcome. It's always a pleasure to see your images. I like the fact that you're documenting these signals before they are all gone. We've lost so much vintage signal equipment. It used to be easy to tell a railroad by the signals, but no more. Safetrans and accountants made sure of that. Now, one looks like another.
An interesting note, Canadian Pacific has been replacing signals on the Delaware & Hudson, however they are only replacing the structures. The original silver US&S H2 heads are then reattached to the new stainless bridges. I thought it was a nice touch.
That is a nice touch. Now, if we could just convince Safetrans to create a modern CPL or Searchlight with LEDs that look like vintage equipment. Personally, I think that CPLs are the safest signals out there because they provide a simultaneous color and position aspect that, in essence, gives the Crew a double verification of the block ahead. I'm surprised that CPLs never really caught on outside of the Pennsylvania, N&W and B&O.
Amtrak still uses PRR style position lights on what they own of the Northeast Corridor between New York, Washington, and Harrisburg. They are called "Color Light Positions" for whatever reason. Who knows why they changed the wording around. They come with LEDs too. This has its ups and downs though. While super bright, they don't produce enough heat and it is common for snow and ice to build up in the lenses. With the good comes the bad I guess.
I was a wee tyke, but there used to be Searchlights all over the place when I was growing up in New Jersey. I became very fond of them. It's sad to see them go. Easy to read, super bright, and mechanical failsafes.
The Artist has requested Critique on this Artwork
Please sign up or login to post a critique.